Tanagram, de Anna Molska (Prudnik, Polonia, 1983).
Four screens as dialogue (pioneering, devotional, familiar, invasive), de Emily Roysdon (Maryland, EE UU, 1977).
'YE' ( Pilzschiel), de Mariechen Danz (Dublin, 1980)
La fenêtre, Mohamed Bourouissa (Bilda, Algeria, 1978).
La marche turque, Ziad Antar (Saida, Líbano, 1978).